A.Y. Jackson Canvas Showing Canadian Mine that Fuelled Atomic Bomb Emerges at Auction

Interesting.

A.Y. Jackson’s “Radium Mine,” painted in 1938, is to be sold Nov. 22 at the Heffel Fine Art fall auction of Canadian art. (Courtesy Heffel Fine Art)

An all-but-forgotten, 74-year-old painting by the Group of Seven’s A.Y.  Jackson, a large canvas on which the renowned artist depicts the Northwest  Territories mine that produced uranium for the world’s first atomic bomb, has  emerged from the obscurity of a private collection to be sold this month at one  of three major fall auctions of Canadian art.

Jackson’s Radium Mine — nearly a metre wide and held since it was painted by  the family of Gerald LaBine, the artist’s friend and the owner of the mining  operation along the eastern shore of Great Bear Lake — represents a remarkable  convergence of the histories of Canadian art, national industrial development  and the global nuclear age.

The painting, to be sold Nov. 22 at a Heffel Fine Art auction in Toronto,  shows a bird’s-eye view of the mine site on a peninsula jutting out into the  lake, located about 440 kilometres northwest of Yellowknife. Radium Mine,  expected to sell for up to $300,000, was exhibited only once, in 1939, and has  remained with the LaBine family as a prized memento of Jackson’s visit to the  site just before the outbreak of the Second World War.

Another Jackson painting of the mining operation is held by the National  Gallery of Canada.

“Not only is Radium Mine one of Jackson’s finest works,” state’s Heffel’s  catalogue entry for the painting, “it is also historically significant. At its  heart is the story of two exceptional Canadians — a gifted artist and a bold  entrepreneur — linked by their thirst for adventure, imagination and love of  their nation.”

But there is a darker subtext to the image, as well, linking Jackson’s scene  to the world-changing devastation unleashed upon Japan when the first atomic  bomb was dropped on Hiroshima in August 1945. Uranium extracted from what became  known as the El Dorado mine site had been Canada’s key contribution to the  Manhattan Project during the war.

Port Radium’s miners and the Dene workers employed in transporting the  radioactive material south from Great Bear Lake would go on to suffer high rates  of cancer. That led to Deline — the aboriginal community nearest to the mine —becoming known as the “village of widows.” In recent years, the Canadian  government has funded cleanup efforts around the mine as part of a long-term  environmental remediation project.

[...]

The painting is expected to sell for between $900,000 and $1.2 million, the  highest estimated value of any artwork to be auctioned at the Sotheby’s sale.

Van Gogh’s Flowers In A Blue Vase Damage Seen in X-rays

Using science to save art, by recognizing chemical damage.

Microscopic samples of the work were carefully extracted in two places

Researchers have spotted a never-before-seen chemical effect in Vincent Van Gogh’s Flowers In A Blue Vase that is dulling the work’s vibrant yellows.

It seems a layer of varnish added later to protect the work is in fact turning the yellow to a greyish-orange colour.

High-intensity X-ray studies described in Analytical Chemistry found compounds called oxalates were responsible.

But atoms from the original paint were also found in the varnish, which may therefore be left in place.

[...]

“This type of information for conservators is very valuable because it helps us understand the condition of the paintings and make the right choices about how we can best conserve them.”

When All Else Fails, Paint Their Faces on Potholes

That’s one way to get politicians to act…

By mid-summer, all streets in Yekaterinburg were decidedly not repaired, which isn’t terribly surprising if you follow the politics of potholes in Russia. And so, logically, some enterprising Russian artists tried the only tactic left to them: They painted Yakob and Porunov’s mugs – alongside their incriminating promises – directly onto the potholes in question (hat tip to Colossal for catching this).

Every City Needs One of These Water Cathedrals

Cool, literally.

For people suffering on hot days on the urban heat island, there’s often little respite from the roasting other than ducking into a store with A/C.

But inhabitants of Santiago have a much cooler option. Down in the city center is an outlandish hive of inverted cones of white fabric that constantly leak water; stand under the pristine sheets, and you’ll receive a cold shower. Squeeze the dampened drapery and you’ve got a nice drink of fresh agua going on.

The maze of moistness, called “Water Cathedral,” beat out several other skin-chilling options in a 2011 architecture contest put on by Chile’s Constructo and MoMA’s Young Architects Program. Crafted by GUN Architects, the ethereal installation is meant to relieve pedestrians sweating on the sidewalk like wieners on a Foreman grill while providing an interesting place for the public to congregate.

Here’s how MoMA describes it:

The structure is made up of numerous slender, vertical components, which hang or rise like stalactites and stalagmites in a cave, varying in height and concentration. The project incorporates water dripping at different pulses and speeds from these hanging elements, fed by a hydraulic irrigation network. When filled with small amounts of water, the stalactite components act as interfaces out of which water droplets gradually flow and cool visitors below. The stalagmites topography provides elements of shade, along with plants and water that collect under the Water Cathedral’s canopy.

A House You Cannot Throw Stones From/Be Naked In

And one which would be fricking cold in a Canadian winter…

You could never live in this all-glass houseif you are a) obsessive compulsive, because think of the finger prints or b) you ever hope to be naked in privacy. But if you’re a total exhibitionist, have at it!

The good news is, no one can actually live in this beautiful pair of blue glass houses, unless they’re super rich (they costs $6,200 per square foot to build) and love impractical things (once again, it is a house made entirely of glass). They were created by Italian architect Carlo Santambrogio and designer Enno Arosic as a concept to promote Simplicity, Santambrogio’s glass furniture line, which is presumably marketed toward heavy cocaine users. [Apartment Therapy via Design Milk]

Product of the Day: Canned City Air

Just what everyone has always wanted, right?

Hurting for a sniff of pure Singapore? Czech artist Kirill Rudenko has you covered.

Rudenko has designed these charming cans of air from the world’s cities. Each can contains local air he says “relieves stress, cures homesickness, and helps fighting nostalgia.” We think these cans encourage nostalgia, but maybe that’s just us.

A sample recipe, from a “supplier” in Paris:

20% The Louvre 20% Notre Dame 25% Eiffel Tower 15% Musée d’Orsay 10% Champs-Elysées 10% Sacre Coeur
ATTENTION! May contain traces of liberté, égalité and fraternité.

I want to see one for New York City: 20% sewer gas, 20% piss, %40 car exhaust, and 20% street food? ;)

Tom Thomson Painting Found At a Yard Sale; Stolen Cezanne Painting Recovered

Two art world news stories:

Tom Thomson painting worth over $150,000 turns up at yard sale

You usually don’t find Tom Thomson paintings at a yard sale. Particularly in  east Vancouver.

But one may have turned up recently, along with a watercolour by Group of  Seven member Frederick Horsman Varley.

The lucky buyer walked away with two paintings for $100, then took them to  Maynard’s Auctions. Maynard’s is putting the painting up for auction May 16,  with an estimate of $150,000 to $250,000.

Stolen Cezanne Masterpiece Worth $131 Million Believe Recovered

A Cezanne masterpiece worth at least $131 million that was the yanked from the wall of a Zurich art gallery in 2008 has been recovered, Serbian police said today.

Four arrests were made overnight in connection with the theft, which was one of the biggest art heists in recent history.

Police, working from several European countries, focused their two-year investigation on the potential sale of the painting to a rich Serb buyer who was prepared to purchase it for $4.6 million.

(Yes, I like art; I just put up an art post over at Patriactionary, here.)